FILM :: Mumtaz Hussain :: Filmmaker, Director, Writer
Filmmaker Mumtaz Hussain has participated in a number of films, as director, writer, producer of both animations and short films, and is currently working on a feature length film.
His movie, “Soul of Civilization" has been shown at the Metropolitan Museum of Art in New York City. He recently completed four additional films, “This is my Pakistan” for Pakistani TV Channel GEO; “Inside You”, Push Button for", and "Butterfly Screams".
His art and films have been shown at numerous museums, universities, art galleries and many international film Festivals.
In 1981, Mumtaz accepted admission into the prestigious National College of Arts (NCA) in Lahore, Pakistan. While at NCA, Mumtaz decorated the palace of Sheikh Zaid bin Sultan, an architectural landmark in Karachi, Pakistan.
In 1987, Mumtaz left for London to study European art forms. In 1988 Mumtaz came to New York to pursue graphic design at the School of Visual Art. Additionally, Mumtaz studied film making at the Digital Film Academy. He has also served as an art director for Simon & Schuster, Calvin Klein and Ralph Lauren. Mumtaz is currently directing an informative talk show for channel 9 "Ask a Lawyer".
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Inspired by three lines spoken by the 13th century Sufi master, Jalaluddin Rumi, the film is a metaphor for the ordinary lives we lead in search of the joy. Alex is a wealthy man, an evolved materialist who wishes to go beyond what he has. His search merits the ‘incidental’ meeting with an enlightened master and Alex gets his answer in a moment of ordinariness.
When Carmen (Patrica Geri Russel) saw her foreign neighbor Hasham (Kevin Dhaniram) celebrating, she knew he was up to no good.
And when the FBI learned that he coveted a secret flowering plant, they deduced a threat.
A flower to celebrate life can also commemorate loss. In New York City, in the haze of the fallen towers, one cannot be too careful.Or is it possible to be too careful?This is where Hesham’s trouble began.
Art and life intermingle in this intimate portrait of childhood innocence, using the metaphor of painting to describe life in Pakistan during the independence movement.